ADVERTISEMENT
Bettylou Sakura Johnson. (Photo by Jesse Jennings/World Surf League)

A SEASON WRAPS UP ON THE nORTH sHORE

But we can't help feeling bittersweet.
Reading Time: 4 minutes

As they rightly say, all good things must come to an end and the competitive season in Hawaii is, sadly, no exception.

The Hurley Pro Sunset Beach finished last week and while I watched Molly Picklum and Jack Robinson claim their respective titles, I couldn’t help but feel a little twinge of sadness as the comp wrapped up in front of my incredibly tired eyes.

Sunset Beach feels like the older, more responsible sister of the Hawaiian leg of the CT. Falling after the season’s opener at Pipeline, you could sense the atmosphere shift into a heavier tone. It didn’t feel like sunshine, rainbows, and catch-ups; Sunset felt like everyone was getting their ass into gear for what we can all tell is going to be a formative 2024 CT.

The crowds were smaller, the electricity faded a little. Although many argue Sunset is a bigger indicator of where things will fall for the rest of the year, you could sense a shift in the atmosphere.

“It’s so tricky, Sunset Beach and Pipeline truly test you the most. It’s the best place to start, but the most challenging,” chuckled Jack.

Despite there being a plethora of jaw-dropping moments throughout the five days of competition: Jack’s double barrel winner, that Molly turn, Sawyer Lindblad’s interference call and Jordy Smith’s heat win against John John Florence. It felt like the honeymoon period was over and the rose-tinted glasses had come off, with competitors, crew, commentators and spectators preparing to knuckle down as the mid-season cut looms closer and the WSL prepares to take itself to Portugal for the third event of the year.

That Molly turn

If there’s a few things Sunset taught us, it was: the girls are finally getting their rightly deserved due diligence; we’ll continue to watch a generational shift unfold in front of us for the remainder of the tour and there seems to be a ravenous hunger in this year’s lineup that’ll continue to deliver curveballs.

“I think surfing against competitors like Betty, they’re the people that bring out the best in me,” said Molly as she gleamed at me behind her newly adorned lei.

“It’s such a generational push now, even between each other. There’s no predictions, I think women’s surfing is unpredictable and that’s exciting. There’s no cap on it anymore and it’s going to be fun to see where it goes.”

Molly giggled as I asked her about taking home consecutive Sunset titles. “That’s why I think my back-to-back wins here are kind of a miracle,” she infectiously smiled.

The main take-away from my first soiree at Sunset was that, it’s probably the most incalculable wave to watch and I think that translates into why it doesn’t attract the level of hype a place like Pipeline does, and why it generally felt mellower on the sand.

Sunset doesn’t feel linear to watch in the slightest. For me, there was an added level of attraction to figuring out what was in store; you really couldn’t really bank on sure-things.

Perspectives and conversations on the competition swayed as easily as a palm in the wind the second you watched one heat, or moment, go down.

The thing that remained concrete though, was the abundant agreeance shared that Robinson’s 9.87 should have been a 10. Apparently YETI under-ordered on their 110 coolers this year.

Although it felt quieter, Sunset was no less short of memories. I laughed hysterically listening to Hurley groms go into detail on that San Clemente/Huntington Beach rivalry; smirked as pro-snowboarders gave me their hot-takes on the surf comp scene; and I must have ran a short marathon between watching the comp from the beach and darting to the TVs to see the close-up replays (sadly some of us don’t have 20/20 vision).

As it came to a crescendo on the podium, lit by the afternoon sun, and trophies were handed out, I felt grateful for everyone and everything around me, more so than ever.

“It doesn’t get any more special than winning in front of my family. I’m taking that baby energy,” said Jack.

“It was like baby surfing out there, doing it all from the beginning again. Seeing it all through new eyes,” he added as his focus turned to shooting a couple of family photos post-win. “I’m just taking it in. Taking it all in.”

With most people filing into Puerto Rico for the Olympic Qualifiers, it was quick goodbyes and short-lived see-you-next-years, as this little travelling circus we’d amalgamated into slowly began parting ways. One person leaving Thursday morning, the next on Thursday evening. It’s a moment that comes with any seasonal setting, one that rarely gets comfortable.

For my first season within the competition circuit on the North Shore I really can’t put into words the energy found here, it’s something that’s truly touched my heart, it’s candidly indescribable. So if you’re sat reading this and wondering: “Should I get my ass over there next year?” All I can say is, book those flights.

As most of us left on the North Shore spend a day or two soaking in the remnants of the winter sun before hauling ourselves back to California, Australia, or wherever, I’ve found myself sitting in a little bit of happiness. The kind that makes me warm at the prospect of catching many of the same faces on this little stretch of sand next year.

ADVERTISEMENT
ADVERTISEMENT
SUBSCRIBE TO TRACKS
A bi-monthly eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW
SUBSCRIBE TO TRACKS
An eclectic tome of tangible surfing goodness that celebrates all things surfing, delivered to your door!
SUBSCRIBE NOW

LATEST

Contest results alone don’t guarantee a surf career anymore. Michael Dunphy’s answer? A 1978 Cessna, a growing online audience and a relentless hunt for empty Caribbean waves.

Crocs, stingers and reef breaks in Australia's Northern Territory.

The multitalented surfer and actress displays her rideable palette.

The surf and environmental film festival is bringing a fresh lineup of surf films, conservation stories and community-led screenings to a global audience.

ADVERTISEMENT

PREMIUM FEATURES

With his dizzying acrobatics, focused ambition and astute demeanor; Dane Henry is rapidly emerging as the ultimate modern surfer.

West Australian photographer, Adam Serra, is hooked on shooting the waves and culture of this vibrant, Japanese city.

How two waves at a city beach made Tommy Myers a cult hero and helped complete his full circle journey as a pro-surfer.

Surfing’s ‘No Go’ zones have always been hotly debated.

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

TRACKS PREMIUM

Get full access to every feature from our print issues, read classic Tracks issues from the 70s, 80s and 90’s, watch all of our classic films & more …

CLASSIC ISSUES

PREMIUM FILM

YEAR: 2008
STARRING: JOEL PARKINSON, MICK FANNING AND DEAN MORRISON

This is the last time the original cooly kids were captured together and features some of their best surfing.

Their rivalry helped push each of them onto the world stage but their friendship endured. This is the last time the original cooly kids were captured together and features some of their best surfing.

A film by Shaggadelic Productions

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2011
STARRING: DAVID RASTOVICH, OZZIE WRIGHT, CRAIG ANDERSON, RY CRAIKE, DEAN MORRISON & MORE

Seven free surfers embark on a voyage to boldly go where no man had gone before.

Seven free surfers embarked on a voyage to boldly go where no man had gone before.

Not that long ago, in an island chain far, far away, seven free surfers embarked on a voyage to boldly go where no man had gone before. Equipped with an array of surfboards, a packet of crayons and two ukuleles, their chances of success were slim. In pursuit of perfection, they were forced to navigate under the radar of a fleet of imperial boat charters. Despite numerous obstacles, the rebel alliance of wave-riding beatniks continued to make Galactik Tracks into a new surfing cosmos; their search for a Nirvana reaching its climax when they arrived at… The Island of Nowhere.

A film by Tom Jennings

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2014
STARRING: DAVE RASTOVICH

The film features the enigmatic and free-thinking Dave Rastovich at home on the Far North Coast of NSW.

Gathering is a short film from independent filmmaker Nathan Oldfield, the creator of the award-winning left of centre surf films Lines From a Poem, Seaworthy and The Heart & The Sea. The film features the enigmatic and free-thinking Dave Rastovich at home in the sacred playgrounds of the Far North Coast of New South Wales. The film explores Rastovich’s ideas around how the tension between the industrial and the natural in the surfing world unfolds in that place. Ultimately, Gathering celebrates how diversity and difference in ecosystems, relationships and surfing contribute to the preciousness of life. Gathering is easy on the eyes and ears and Tracks Magazine is proud to present it to you. Nathan Oldfield is a maverick, a filmmaker who wants a surf movie to say something important, to move us and make us grateful for the sea around us and the life within us. His films are quiet, beautiful and brimming with sacred purpose. Tim Winton, Acclaimed Australian Novelist

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
YEAR: 2015
STARRING: MIKEY WRIGHT, LOUIE HYND, OWEN WRIGHT, CREED MCTAGGART & CAST OF THOUSANDS

In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers.

From dreamy, north coast points to nights beneath starlit desert skies follow Luke Hynd and Mikey Wright as they embark on a surfing odyssey. In this quintessentially Australian film, the two friends ride waves with the nation’s best surfers, down beers with cantankerous locals and visit some of the more innocuous nooks of the continent’s rugged fringes. Wanderlust lets you rediscover the country and the coastline you love. Be careful, you might even be inspired to toss it all in and embark on your own journey around The Great Southern Land.

This is a Premium Feature only available to Tracks subscribers.

Existing Subscriber?  Login here.
ADVERTISEMENT
ADVERTISEMENT

PRINT STORE

Unmistakable and iconic, the Tracks covers from the 70s & 80s are now ready for your walls.

Tracks